Saturday March 11 was a cloudy, cold day with a bit of rain. High of only 9C. We decided to head to the Marché Saint-Antoine which we had visited earlier in the week. It is only a 10 minute walk from our apartment and is spread out along the Quai St.-Antoine on the Saône River. What a difference between the Tuesday market and the Saturday market. There were well over 100 vendors on Saturday, in stands along the Quai for about one km. Lots of vendors come from the Rhône Valley and there were fish, meat and cheese vendors along with lots of fruit and vegetable folks. Even a few roast chicken vendors, sausage vendors and gourmet food stands.
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On the Quai |
The centrepiece of Presqu'ile's central square is a 19th century fountain made of 21 tonnes of lead and sculpted by Frédéric-Auguste Bartholdi (1834-1904) (designer of the Statue of Liberty). The four houses pulling the chariot symbolize rivers galloping seawards. The Hôtel de Ville was built in 1655, and given its present ornate facade in 1702.
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Entering the galleries from the courtyard of the museum |
While there are collections from ancient Egyptian antiquities to the 20th century, we decided to focus on the 19th and 20th century galleries, although we walked through the Italian, Spanish, Dutch and Flanders galleries from the 16-17th centuries. I'm only going to post a handful of the photos I took, which particularly caught my eye. They are not in chronological order, as the layout of the museum was a bit confusing and we sometimes had to double back to get to some of the galleries. The titles were in both French and English, although any detailed notes were just in French. I will put the English titles with the pictures.
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Henri Fantin-Latour (Grenoble, 1836- Buré (Orne), 1904, Reading, 1877 |
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Paul Borel, (Lyon, 1828-1913), Adèle Mouton, the Artist's Wife, in Blue Dress, around 1858 |
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Honoré Daumier (Marseille, 1808-Valmondois, 1879), Two Lawyers, 1858-1862 |
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Pierre Puvis de Chavannes (Lyon, 1824- Paris, 1898), Marie Cantacusène, the Artist's Wife, 1883 |
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Lucien Simon (Paris, 1861-1945), Self-Portrait, 1908 |
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Pascal Dagnan-Bouveret (Paris, 1852-Quincey (Haute-Saône) 1929, A Wedding at a Photographer's Studio, 1879 |
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Claude Monet (Paris, 1840- Giverny, 1926), The Entrance of Grande Rue in Argenteuil, Winter, 1875 |
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Paul Cèzanne, (Aix-en-Provence, 1839-1906), Poplars, 1879-1880 |
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Auguste Rodin (Paris, 1840-Meudon, 1917), The Age of Bronze, 1875-1877 |
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August Renoir (Limoges, 1841- Cagnes-sur-Mer, 1919), Young Girl with Blue Ribbon, 1888 |
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Hans Hartung (Leipzig 1904-Antibes, 1989), T. 1951-24, 1951 |
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Joan Miro (Barcelona 1893- Palma de Mallorca 1983), Makémono, vers 1956 |
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Joan Miró (Barcelona 1893-Palma de Mallorca, 1983), Character, 1949 |
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Henri Matisse (Le Cadeau-Cambrésis 1869- Nice, 1954), Young Woman in White, Red Background (Reclining model, white dress), 1946 |
There was a small room dedicated to Sonia Delaunay (1885-1979). The notes indicated that "as part of its actions for peace and support for Ukraine, the museum is proposing a display dedicated to Sonia Delaunay". She was born in Ukraine.
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Sonia DeLaunay, (Gradizhsk (ancien Empire russe, accueille Ukraine), 1885 -Paris, 1979) Colour Card for Simultaneous Fabric no. 194, 1927 |
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Sonia Delaney, Simultaneous Fabric no.194, colour 1, November 7, 1927 |
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Michel Dumas (Lyon, 1812-1885), Self-Portrait, vers 1838 |
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Louis Janet (Lyon 1814-1892), Flowers of the Field, 1845 |
There was an entire room, le salon des fleurs, with paintings of flowers done between the 17-19th centuries. The salon was created in 1811 and apparently inspired the Lyonnais silk designers.
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Simon Saint-Jean (Lyon, 1808-Écully (Rhône), 1860, Young Girl Holding Flowers, 1837 |
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Gerard Van Honthorst (Utrecht, 1592-1656), The Singers |
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Abraham van der Eyk (Leyde (Pays-Bas), 1684-1724, Allegory of the Quarrels between the Remonstants and the Counter-Remonstrants in 1618, 1721 |
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Pierre Paul Rubens (Siegen (Allemagne), 1577- Anvers, (Belgique), 1640, Saint Dominic and Saint Francis Protecting the World from Christ's Wrath, vers 1618-1620 |
As we left the building, we noticed some posters on one of the walls, done in solidarity with the Iranian Women's struggle against oppression.
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Powerful poster |
We enjoyed the Museum's fine collections. However, the galleries could use some updating. There are holes about three metres from the ground and about four cm apart throughout a number of the older galleries. They are used to hold information cards for the paintings depending on their placement. A bit distracting.
We walked down to Place Bellecour, trying to explore some new streets along the way.
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Entrance to a book store |
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New Easter chocolate displays |
When we reached Place Bellecour, we noticed that the demonstration called for earlier in the afternoon was still going on. There were a lot of health care workers as it was a demonstration specifically called to protect the health care system.
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Place Bellecour is a great square for a demo - in front of the Louis XIV statue
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Lots of different groups and slogans
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Many different organizations |
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Health care issues were the theme of this demonstration. "More than 1/3 of French people live in a medical desert" |
We stopped at the Tourist Office and Alain had his picture taken with a statute of Paul Bocuse.
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Two chefs
We meandered back to the apartment where Alain made a chicken dinner with green beans, onions and tomatoes, green salad, a glass of wine and tea with praline brioche for dessert. A quieter day today, but it was a bit chilly and we wanted to stay warm.
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